airing now! Sunsweet and |
webseries launched on YouTube! Check it out at WhatTheProducer |
Management: tel: (323) 464-8189 fax: (323) 467-3778 |
NOW AVAILABLE! and Amazon Body Electric, now available (remix, too!) on iTunes That Takes Ovaries!, R. Solomon, Ed. Dopamine the movie Emotions in the Human Voice, Vol. 3 (Plural Publishing). |
Photo by Tracy Merrill |
Photo by Tracy Merrill |
Photo by Tracy Merrill |
Management: 5870 Franklin Avenue Suite 107 Hollywood, CA 90028 tel: (323) 464-8189 fax: (323) 467-3778 |
Photo: Tracy Merrill |
Photo: Tracy Merrill |
Photo: Tracy Merrill |
Photo: Tracy Merrill |
Agent: tel: (415) 781-2841 fax: (415) 781-5722 |
additional links on resume page |
Agent: 166 Geary Street, 14th Fl. San Francisco, CA 94108 tel: (415) 781-2841 fax: (415) 781-5722 |
NEW!!! as referenced in the now available!** |
**Message from the Concierge to Kathleen Antonia re: The New Application: "My goal is not to make money. My goal is to prove you wrong and find a cool guy you'd like to hang out with for a number of years." Reply: "Easier to prove string theory." **UPDATE** The cool guy has been found! Super symmetry, then, is to the test! Date Kathleen Applications continue to be accepted BUT only for the waitlist. Best! |
Link here for: University of California Health and Welfare Plans (voice-over and on-camera) |
Morality is a red herring. What should guide us as a species is what is compatible and incompatible with peace. Our goal - each and every one of us - is to achieve the absence of fear. Actions contradicting that goal should be eliminated and actions supporting that goal should be nourished. "Good" and "bad" have nothing to do with it. - the Exercise Your Brain Campaign brought to you by What The ... Productions |
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Kathleen Antonia is a multi-talented performer with a professional acting, singing, and dancing career that spans over a decade. She has performed in feature films "Convention", "Jujuluv", and Sundance winner "Dopamine". Antonia has also performed on stage with the American Conservatory Theater, San Francisco Mime Troupe, Golden Thread Productions, San Francisco Opera, and a host of other theatrical companies. Antonia's credits include on-camera, jingle, and voiceover work for video games, commercials, documentaries, and television. Antonia released her first solo CD "Next Time" through her own production company What The ... Productions and is currently in post-production on her first documentary "Getting Played". Antonia co-produced webseries Cankles and a CombOver and is in pre-production on a new webseries and short film. Antonia won Best Female Vocals in Dance from Garage Band for performing LFB's "The Body Electric" and is a regular club performer of jazz, dance, and 60s rock 'n' roll music. Please check her calendar for upcoming events. Her CD Next Time is available at CD Baby and Amazon. Antonia is a member of performers unions AEA, AFTRA, SAG, and AGMA is represented by Look Talent and MadCatch Entertainment. Facebook: Kathleen Antonia |
To receive Kathleen Antonia's audition e-listings, send an email to RoleCallListings-subscribe @yahoogroups.com |
REVIEWS - Theatre With "bump-and-grind hips and a catty scat-singing style", Kathleen Antonia goes "bravely over the top with [her] portrayal of female rivalry capped by a final empathic bond." - Steve Winn, San Francisco Chronicle (May 12, 2008) "Large ensemble numbers ... divide memorable and inspired solo performances by Kathleen Antonia as 'Café Olay'...." - Kwami Coleman, San Francisco Classical Voice (May 10, 2008) "Actress Kathleen Antonia sang Café Olay, and she did a lovely job vocalizing during the seduction scene, a muted trumpet joining her amorous writhing." - Jaime Robles, The Berkeley Daily Planet (May 15, 2008) "Kathleen Antonia unleashes a potent bluesy wail on 'I'm Flashing' ('I'm Sorry') and stands out in the ensemble take on 'The Lion Sleeps Tonight'" - Robert Hurwitt, San Francisco Chronicle (May 12, 2005) The role of "Power Woman [is] beautifully sung by Kathleen Antonia" - Tom W. Kelly, San Francisco Bay Times (May 5, 2005) "Antonia ... brings the house down in the 'Hot Flash' reprise." - Karen D'Souza, The Mercury News (April 30, 2005) "The Violet Hour's cast is excellent, and they rise above the script in many scenes. .... Kathleen Antonia is sublime as worldly Jessie" - Richard Connema, Talkin' Broadway (October 2004) "[This] intimate, naturalistic production is well performed by a team of young talent. Kathleen Antonia is particularly at ease as the regal jazz diva, with a hidden past and a tragic future." - Erika Milvy, The Press Democrat (October 3, 2004) "A solid cast ... brings the intriguing, Back to the Future-esque script to life while driving home the idea that timing could indeed be everything." - Anna Mantzaris, The San Francisco Bay Guardian (Oct. 20-26, 2004) "The cast of singers ranges from brilliant to adequate. The two women top my list of golden-voiced vocalists. Kathleen Antonia knows how to sell an upbeat number ('That Old Black Magic') and also how to deliver the subtle nuance of a ballad ('My Funny Valentine' and 'Guess I'll Hang my Tears Out to Dry')." - Herb Heiman, Ashland Theater Review (October 2003) "[I]t's the songs themselves that make the show, as each cast member adds his or her own stylistic interpretation of the lyrics. In particular, Kathleen Antonia captivated the audience with her rendition of 'Indian Summer' and 'That Old Black Magic.' As a postscript, watch for the gown she wears in the second act." - Dave Moodie, The Sneak Preview (October 8, 2003) "Antonia is very cosmopolitan which contrasts nicely with ... Strohmaier. Both women have beautiful voices and are accomplished actors, taking the often wry lyrics and making the most of them." - Roberta Kent, Ashland Daily Tidings (September 18-24, 2003) "As the only black character who speaks ... Fanny bears the onus of representing all African natives and even the country itself. That's a lot to ask of a character and an actor, but [Kathleen] Antonia does it with a dignity that makes you wish this were her story and not Rhodes'." - Chad Jones, The Oakland Tribune (01/14/2003) "The story of Barney and Fanny (Kathleen Antonia) is intriguing.... [Paul Vincent] Black and Antonia portray their relationship with touching tentativeness, mistrust and growing comfort, and Antonia sings with riveting still sweetness." - Robert Hurwitt, San Francisco Chronicle (01/14/2003) "The acting tended toward the declamatory, with only Kathleen Antonia as the feisty African girl truly touching her character's heart--and ours." - Barry Wisdom, Backstage West (02/13/2003) "The lovely Kathleen Antonia is a standout, delivering a sweet, compelling 'When I Am Laid to Earth' ... a buoyant disco-soul 'Don't Box Me' (about resisting racial categorization) and a knockout bluesy torch number about getting hot and bothered with a 'Fine Tooth Comb'." - Robert Hurwitt, San Francisco Chronicle (09/10/2002) "Kathleen Antonia is winning in 'Don't Box Me In' and kicks butt in her Bessie Smith inspired blues ballad, 'Fine Tooth Comb'." - Adam Sandel, San Francisco Examiner (09/11/2002) Kathleen Antonia's "strong vocals, stage presence, and nuanced performance make her the highlight of the evening." - Karen Macklin, SF Weekly (9/18-24/2002) REVIEWS - Music Kathleen Antonia's Next Time is a "brilliant new CD release ... a baker's dozen of delicious standards to be sure." - Sister Dana Van Iquity, San Francisco Bay Times (December 27, 2007) Next Time is "such a sweet sentimental journey showcasing [Kathleen Antonia's] emotional range as a singer. .... It's the perfect Christmas gift for any one in your family and friends who love jazz and the vocal standards that EVERY type of folk all can recognize and enjoy." - Leo Frappier, LFB (December 3, 2007) Best Female Vocals in Dance, weeks of 24 October 2005, 12 December 2005, & 23 January 2006 (remix); #3 all time Best Female Vocals in Dance (highest ranking), Garage Band "The album's standout track is 'Body Electric', which combines the aggressive voice of Kathleen Antonia and her supple, storytelling delivery." - Erin Worm, Evolution of Media (Jan. 2008) "One performer that wowed me with her amazing stage presence was Kathleen Antonia at the LFB / In the Midnight Hour CD release party. She did a tribute to Jo Carol singing Everywoman. Jo Carol unfortunately passed away due to a brain aneurysm. Kathleen brought a boyfriend front/center of all the fans and seduced him with her sultry vocals. I highly recommend her album [Next Time]...." - Mike Andrews, Kathleen Antonia Shines at the LFB CD Launch Party (Nov. 2007) "vocalitá, ora sexy, ora errebí, ora narrative, ora aperte" ("vocals that are at once sexy and breathy, sometimes conversational, sometimes open") - Davide Carabini, Una Mezzanotte Sexy ("A Sexy Midnight"), Acid Jazz magazine (Italy - August 2007 Edition) "I loved this tune and it should be on a major label,, great job girl." - YBRSongs, Los Angeles, California (29 October 2005) "A solid beat, an interesting vocal performance, hooky backing vocals and the introduction of a sampled sax that completes a very good depp house track with elements of Soul-Diva... Very well produced and will seat comfortably besides released by Defected or Azuli. 9 out of 10!" - Moreno, London, United Kingdom (24 October 2005) "This is one of the best Dance songs that I've heard on the GarageBand site. The vocalist delivers a power, articulate, and passionate performance here. I have to say that she has one intrigiuing and extremely sexy voice. (add me to your list of the conquered) The arrangement was outstanding and very original. I especially loved the vocal samples running in the background with those phat and tight in harmony vocals. I haven't heard anything like this on this site or anywhere else...." - Andre Jones, Detroit, Michigan (22 October 2005) "Excellent vocals, I mean it, wow. I usually hate this style but this is excellent. Great performance!" - KornKidda, Panorama City, California (20 October 2005) |
"In one of my favorite stories, Kathleen ... awakens to discover a man has pried open her window and is in her bedroom, searching for money." - Betty DeRamus, The Detroit News (04/27/02) |
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*add an "e" to act*r and take a small stand for gender equality |
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"In one of my favorite stories, Kathleen ... awakens to discover a man has pried open her window and is in her bedroom, searching for money." - Betty DeRamus, The Detroit News (04/27/02) |
REVIEWS - Theatre With "bump-and-grind hips and a catty scat-singing style", Kathleen Antonia goes "bravely over the top with [her] portrayal of female rivalry capped by a final empathic bond." - Steve Winn, San Francisco Chronicle (May 12, 2008) "Large ensemble numbers ... divide memorable and inspired solo performances by Kathleen Antonia as 'Café Olay'...." - Kwami Coleman, San Francisco Classical Voice (May 10, 2008) "Actress Kathleen Antonia sang Café Olay, and she did a lovely job vocalizing during the seduction scene, a muted trumpet joining her amorous writhing." - Jaime Robles, The Berkeley Daily Planet (May 15, 2008) "Kathleen Antonia unleashes a potent bluesy wail on 'I'm Flashing' ('I'm Sorry') and stands out in the ensemble take on 'The Lion Sleeps Tonight'" - Robert Hurwitt, San Francisco Chronicle (May 12, 2005) The role of "Power Woman [is] beautifully sung by Kathleen Antonia" - Tom W. Kelly, San Francisco Bay Times (May 5, 2005) "Antonia ... brings the house down in the 'Hot Flash' reprise." - Karen D'Souza, The Mercury News (April 30, 2005) "The Violet Hour's cast is excellent, and they rise above the script in many scenes. .... Kathleen Antonia is sublime as worldly Jessie" - Richard Connema, Talkin' Broadway (October 2004) "[This] intimate, naturalistic production is well performed by a team of young talent. Kathleen Antonia is particularly at ease as the regal jazz diva, with a hidden past and a tragic future." - Erika Milvy, The Press Democrat (October 3, 2004) "A solid cast ... brings the intriguing, Back to the Future-esque script to life while driving home the idea that timing could indeed be everything." - Anna Mantzaris, The San Francisco Bay Guardian (Oct. 20-26, 2004) "The cast of singers ranges from brilliant to adequate. The two women top my list of golden-voiced vocalists. Kathleen Antonia knows how to sell an upbeat number ('That Old Black Magic') and also how to deliver the subtle nuance of a ballad ('My Funny Valentine' and 'Guess I'll Hang my Tears Out to Dry')." - Herb Heiman, Ashland Theater Review (October 2003) "[I]t's the songs themselves that make the show, as each cast member adds his or her own stylistic interpretation of the lyrics. In particular, Kathleen Antonia captivated the audience with her rendition of 'Indian Summer' and 'That Old Black Magic.' As a postscript, watch for the gown she wears in the second act." - Dave Moodie, The Sneak Preview (October 8, 2003) "Antonia is very cosmopolitan which contrasts nicely with ... Strohmaier. Both women have beautiful voices and are accomplished actors, taking the often wry lyrics and making the most of them." - Roberta Kent, Ashland Daily Tidings (September 18-24, 2003) "As the only black character who speaks ... Fanny bears the onus of representing all African natives and even the country itself. That's a lot to ask of a character and an actor, but [Kathleen] Antonia does it with a dignity that makes you wish this were her story and not Rhodes'." - Chad Jones, The Oakland Tribune (01/14/2003) "The story of Barney and Fanny (Kathleen Antonia) is intriguing.... [Paul Vincent] Black and Antonia portray their relationship with touching tentativeness, mistrust and growing comfort, and Antonia sings with riveting still sweetness." - Robert Hurwitt, San Francisco Chronicle (01/14/2003) "The acting tended toward the declamatory, with only Kathleen Antonia as the feisty African girl truly touching her character's heart--and ours." - Barry Wisdom, Backstage West (02/13/2003) "The lovely Kathleen Antonia is a standout, delivering a sweet, compelling 'When I Am Laid to Earth' ... a buoyant disco-soul 'Don't Box Me' (about resisting racial categorization) and a knockout bluesy torch number about getting hot and bothered with a 'Fine Tooth Comb'." - Robert Hurwitt, San Francisco Chronicle (09/10/2002) "Kathleen Antonia is winning in 'Don't Box Me In' and kicks butt in her Bessie Smith inspired blues ballad, 'Fine Tooth Comb'." - Adam Sandel, San Francisco Examiner (09/11/2002) Kathleen Antonia's "strong vocals, stage presence, and nuanced performance make her the highlight of the evening." - Karen Macklin, SF Weekly (9/18-24/2002) REVIEWS - Music Kathleen Antonia's Next Time is a "brilliant new CD release ... a baker's dozen of delicious standards to be sure." - Sister Dana Van Iquity, San Francisco Bay Times (December 27, 2007) Next Time is "such a sweet sentimental journey showcasing [Kathleen Antonia's] emotional range as a singer. .... It's the perfect Christmas gift for any one in your family and friends who love jazz and the vocal standards that EVERY type of folk all can recognize and enjoy." - Leo Frappier, LFB (December 3, 2007) Best Female Vocals in Dance, weeks of 24 October 2005, 12 December 2005, & 23 January 2006 (remix); #3 all time Best Female Vocals in Dance (highest ranking), Garage Band "The album's standout track is 'Body Electric', which combines the aggressive voice of Kathleen Antonia and her supple, storytelling delivery." - Erin Worm, Evolution of Media (Jan. 2008) "One performer that wowed me with her amazing stage presence was Kathleen Antonia at the LFB / In the Midnight Hour CD release party. She did a tribute to Jo Carol singing Everywoman. Jo Carol unfortunately passed away due to a brain aneurysm. Kathleen brought a boyfriend front/center of all the fans and seduced him with her sultry vocals. I highly recommend her album [Next Time]...." - Mike Andrews, Kathleen Antonia Shines at the LFB CD Launch Party (Nov. 2007) "vocalitá, ora sexy, ora errebí, ora narrative, ora aperte" ("vocals that are at once sexy and breathy, sometimes conversational, sometimes open") - Davide Carabini, Una Mezzanotte Sexy ("A Sexy Midnight"), Acid Jazz magazine (Italy - August 2007 Edition) "I loved this tune and it should be on a major label,, great job girl." - YBRSongs, Los Angeles, California (29 October 2005) "A solid beat, an interesting vocal performance, hooky backing vocals and the introduction of a sampled sax that completes a very good depp house track with elements of Soul-Diva... Very well produced and will seat comfortably besides released by Defected or Azuli. 9 out of 10!" - Moreno, London, United Kingdom (24 October 2005) "This is one of the best Dance songs that I've heard on the GarageBand site. The vocalist delivers a power, articulate, and passionate performance here. I have to say that she has one intrigiuing and extremely sexy voice. (add me to your list of the conquered) The arrangement was outstanding and very original. I especially loved the vocal samples running in the background with those phat and tight in harmony vocals. I haven't heard anything like this on this site or anywhere else...." - Andre Jones, Detroit, Michigan (22 October 2005) "Excellent vocals, I mean it, wow. I usually hate this style but this is excellent. Great performance!" - KornKidda, Panorama City, California (20 October 2005) |
Cast of HairStory - A Musical With Roots at San Francisco's Theatre Rhinoceros. Pictured from left: Henry Lee, Jerry Van Carlos Gore, JoAnne Henry, Kathleen Antonia, & Trente Morant. |
To receive Kathleen Antonia's audition e-listings, send an email to RoleCallListings-subscribe @yahoogroups.com |
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I knew about the voice. I had no idea about the thighs! - John Fisher, Artistic Director, Theatre Rhinoceros |
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Kathleen Antonia is a multi-talented performer with a professional acting, singing, and dancing career that spans over a decade. She has performed in feature films "Convention", "Jujuluv", and Sundance winner "Dopamine". Antonia has also performed on stage with the American Conservatory Theater, San Francisco Mime Troupe, Golden Thread Productions, San Francisco Opera, and a host of other theatrical companies. Antonia's credits include on-camera, jingle, and voiceover work for video games, commercials, documentaries, and television. Antonia released her first solo CD "Next Time" through her own production company What The ... Productions and is currently in post-production on her first documentary "Getting Played". Antonia co-produced webseries Cankles and a CombOver and is in pre-production on a new webseries and short film. Antonia won Best Female Vocals in Dance from Garage Band for performing LFB's "The Body Electric" and is a regular club performer of jazz, dance, and 60s rock 'n' roll music. Please check her calendar for upcoming events. Her CD Next Time is available at CD Baby and Amazon. Antonia is a member of performers unions AEA, AFTRA, SAG, and AGMA is represented by Look Talent and MadCatch Entertainment. Facebook: Kathleen Antonia |
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Morality is a red herring. What should guide us as a species is what is compatible and incompatible with peace. Our goal - each and every one of us - is to achieve the absence of fear. Actions contradicting that goal should be eliminated and actions supporting that goal should be nourished. "Good" and "bad" have nothing to do with it. - the Exercise Your Brain Campaign brought to you by What The ... Productions |
SF Opera |
East Bay Pride |
Glamour Magazine WOW Woman |
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Link here for: University of California Health and Welfare Plans (voice-over and on-camera) |
Photo: Adam Berwid |
2006 donations of "Preaching to the Convicted" to nationwide productions of That Takes Ovaries! the play raised over $3500 for women's organizations. |
A.C.T. |
My Way |
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diva extraordinaire! - Reid Dennis, Spectrum (July 2002) |
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This page was last updated on: June 28, 2009
**Message from the Concierge to Kathleen Antonia re: The New Application: "My goal is not to make money. My goal is to prove you wrong and find a cool guy you'd like to hang out with for a number of years." Reply: "Easier to prove string theory." **UPDATE** The cool guy has been found! Super symmetry, then, is to the test! Date Kathleen Applications continue to be accepted BUT only for the waitlist. Best! |
NEW!!! as referenced in the now available!** |
Agent: 166 Geary Street, 14th Fl. San Francisco, CA 94108 tel: (415) 781-2841 fax: (415) 781-5722 |
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CONVENTION |
a film by Rahdi Taylor |
additional links on resume page |
MTM |
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Club Work |
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The Violet Hour |
TM |
Agent: tel: (415) 781-2841 fax: (415) 781-5722 |
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Photo: Tracy Merrill |
Photo: Tracy Merrill |
Photo: Tracy Merrill |
Photo: Tracy Merrill |
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Photo: Peggy Moore |
Management: 5870 Franklin Avenue Suite 107 Hollywood, CA 90028 tel: (323) 464-8189 fax: (323) 467-3778 |
Photo: Lisa Keating |
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Sing, bitch! Sing! - Jo-Carol |
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Photo by Tracy Merrill |
Photo by Tracy Merrill |
Photo by Tracy Merrill |
NOW AVAILABLE! and Amazon Body Electric, now available (remix, too!) on iTunes That Takes Ovaries!, R. Solomon, Ed. Dopamine the movie Emotions in the Human Voice, Vol. 3 (Plural Publishing). |
"one of the best" -Vonn Scott Bair, Playwright |
Management: tel: (323) 464-8189 fax: (323) 467-3778 |
webseries launched on YouTube! Check it out at WhatTheProducer |
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"a MONSTER talent!! ... voice is incredible ... stage presence is awesome ... [does] sexy like no one else!!" - Michael Asberry, Acter |
airing now! Sunsweet and |
BVMHKVRLVKUS |